Crip Provocations

Jose Miguel ‘Miggy’ Esteban is a dance/movement artist and educator based in Tkaronto/Toronto. Miggy’s artistic work develops improvisational practices of navigating mad and queer routes to embody Filipinx remembering and belonging. Currently a PhD candidate at the Department of Social Justice Education, OISE/University of Toronto, Miggy’s research and teaching is oriented through disability studies, black studies, and dance/performance studies. Influenced by disability arts and culture, black radical traditions, indigenous storytelling, and queer performance, Miggy’s dissertation project engages in embodied practices of improvisation to (re)interpret curriculum as a choreographic site for inspiring pedagogies of/through dance. Miggy’s work has been published in Canadian Theatre Review, Disability Studies Quarterly, Journal for Literary and Cultural Disability Studies, Liminalities: A Journal of Performance Studies, Theatre Journal, TOPIA: Canadian Journal of Cultural Studies, and in various edited volumes.

Image Description: A s:ide profile of Miggy, who crouches amidst bushes and white flowers that recede blurrily into the background. Miggy’s fingers gently crawl up from a long-sleeved maroon shirt, over chin and lips, and toward a small ocean of black, wavy hair. The brown skin of Miggy’s cheek is caressed by the palm of a hand, supporting closed eyes that look down in contemplation.